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hpg
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  • hpg Go to post #761597
    Lovely.

    I wasn’t sure how I felt about that sunflower object before but you’ve sold me on it.
    posted 4 years ago in the screenshot Crossing a valley
  • hpg Go to post #757707
    Is it just me or is that slingshot super close to the wild mouse?

    There is some really nice micro in here, but I think some of the more macro aspects might be holding it back a bit.

    It can definitely be good to give different buildings and areas their own unique character, but I think a few shared motifs here and there could help tie everything together a bit better.
    posted 4 years ago in the screenshot Wilde Muis
  • hpg Go to post #755406

    Shipwreck looks great.

     

    Supports are a bit... phallic?

    posted 5 years ago in the screenshot Shipwreck
  • hpg Go to post #755261
    This I dig. Especially that Skywarp and the glass roof. Very well done.

    Do you plan on shoestringing the Skywarp? Looks like it would be a (relatively) easy one to do and that would look even better with peeps.

    Think I’m with Liam on the Mako colors though. They sort of clash with the otherwise complementary colors you have going on.
    posted 5 years ago in the screenshot Shark Week!- Sea World Barcelona
  • hpg Go to post #755133
    Not a bad point Liam. I think Mondrian himself used a few different blues over the years as well.

    Its just always sort of bugged me how the darkest blue in RCTs standard palette is right on the edge somewhere between blue and purple where the color is really susceptible to shifting from one monitor to the next.

    Certainly not a huge deal either way. I was mostly just curious to compare the two.

    edit: Missed your reply while I was typing mine. It sounds like thats a good route to take. Different objects make the colors appear a bit different as well so there might not be a single ideal color to use for everything.
    posted 5 years ago in the screenshot The Masters Palette - Modern Canvas

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